Mit diesem Buch lernen Sie, Adobes mächtige Bearbeitungssoftware für Ihre eigenen Videoprojekte einzusetzen. Autor Martin Quedenbaum nutzt Premiere Pro seit Version 1 und führt Sie praxisnah durch
In this exhilarating counter-history of experimental filmmaking in Spain, Steven Marsh takes up the politics of form, the trouble with film history, and the theoretical potential of haunting, discontinuity and absence. Marsh's close attention to the rich archive of Spanish alternative cinemas is welcome in itself, but he also brings these films into wider debates on the national and transnational. Spanish Cinema Against Itself is an important intervention in Spanish film studies and, i
As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium—a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these f
C. Claire Thomson's study examines the history and context of the film, setting it within the Danish cultural and sociopolitical milieu. It examines the place of the film as a work of national cinema and examines its pioneering role as an experiment in digital cinema.
Mit diesem Buch lernen Sie, Adobes mächtige Bearbeitungssoftware für Ihre eigenen Videoprojekte einzusetzen. Autor Martin Quedenbaum nutzt Premiere Pro seit Version 1 und führt Sie praxisnah durch
Mit diesem Buch lernen Sie, Adobes mächtige Bearbeitungssoftware für Ihre eigenen Videoprojekte einzusetzen. Autor Martin Quedenbaum nutzt Premiere Pro seit Version 1 und führt Sie praxisnah durch