In this exhilarating counter-history of experimental filmmaking in Spain, Steven Marsh takes up the politics of form, the trouble with film history, and the theoretical potential of haunting, discontinuity and absence. Marsh's close attention to the rich archive of Spanish alternative cinemas is welcome in itself, but he also brings these films into wider debates on the national and transnational....
In this exhilarating counter-history of experimental filmmaking in Spain, Steven Marsh takes up the politics of form, the trouble with film history, and the theoretical potential of haunting, discontinuity and absence. Marsh's close attention to the rich archive of Spanish alternative cinemas is welcome in itself, but he also brings these films into wider debates on the national and transnational....